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Bộ kiểm tra tổng hợp 02 – Du lịch, công việc và học hỏi | Gia Sư SV

GIA SƯ SV · BỘ KIỂM TRA TỰ BIÊN SOẠN 2

Bộ kiểm tra tổng hợp 02 – Du lịch, công việc và học hỏi

Bộ học liệu tự biên soạn có cấu trúc bốn kỹ năng. Tình huống và số liệu giả định. Chưa được chuẩn hóa để quy đổi band IELTS. Âm thanh giọng tổng hợp phục vụ luyện tập; thời lượng và chất lượng tương tác không được coi giống bản thu kỳ thi.

  1. Chọn Academic hoặc General Training. Listening và Speaking dùng chung; Reading và Writing Task 1 dùng nội dung riêng.
  2. Làm độc lập trước khi xem lời thoại, đáp án hay mẫu. Listening nghe mỗi phần một lần ở lượt kiểm tra.
  3. Reading 60 phút; Writing 60 phút với Task 1 tối thiểu 150 từ và Task 2 tối thiểu 250 từ. Speaking 11–14 phút nếu có người hỏi.
  4. Phần nghe dùng bản thu tổng hợp để luyện tập. Thời lượng bản thu không mô phỏng thời gian nghe của kỳ thi IELTS; số câu đúng chỉ mô tả kết quả trên bộ luyện này.
  5. Sau làm bài, giữ bản đầu và bản sửa; nhờ người có chuyên môn phản hồi nói/viết theo 4 tiêu chí.

Listening · Bốn phần, 40 câu

Đọc câu hỏi trước, nghe mỗi phần một lần ở tốc độ 1× cho lượt kiểm tra. Khi chữa bài mới nghe lại, giảm tốc độ hoặc mở lời thoại. Tệp tổng hợp phục vụ luyện tập, không mô phỏng chính xác thời gian và mọi đặc điểm giọng nói của đề thi thật.

Phiếu trả lời · 40 câu

Mỗi phần có nút nghe, câu hỏi và lời thoại riêng. Làm độc lập trước khi kiểm tra cả 40 câu. Đọc đúng giới hạn từ của từng câu.

Part 1 · Booking a guest-house stay

1. Number of nights: ____. Write A NUMBER.
2. Arrival date: ____ June. Write A NUMBER.
3. Surname: ____. Write ONE WORD.
4. Room floor: ____. Write ONE WORD.
5. Nightly room rate: £____. Write A NUMBER.
6. Optional breakfast price: £____. Write A NUMBER.
7. Booking deposit: £____. Write A NUMBER.
8. Check-in begins at ____. Write A TIME.
9. Bus number to Dock Road: ____. Write A NUMBER.
10. Standard cancellation notice for deposit return: ____ days. Write A NUMBER.
Lời thoại Part 1 · chỉ mở khi chữa

Receptionist: Harbour Guest House, good afternoon.

Guest: Hello. I am coming to a training course next month and would like to book a room. I need four nights, arriving on the eighteenth of June.

Receptionist: Let me check. We have a single room available for those dates. Would you like a room facing the street or one at the back?

Guest: A quiet room would be better. I will need to study in the evenings, so I would prefer the back.

Receptionist: The quiet single room is on the second floor. There is a lift, and the room has a small desk. The nightly rate is fifty-two pounds.

Guest: Does that include breakfast?

Receptionist: No, breakfast is separate. It costs eight pounds each morning if you order it the evening before. You can decide after you arrive; it is not necessary to book all four breakfasts now.

Guest: That is useful. What deposit do I need to pay?

Receptionist: The deposit is forty pounds for the booking. You pay the rest when you arrive. I will send the payment instructions with the confirmation rather than asking you to read payment details over this call.

Guest: Thank you. My surname is Bennett. That is B-E-N-N-E-T-T, with two n’s and two t’s.

Receptionist: Thank you. What time do you expect to arrive?

Guest: My train reaches the station at about two thirty. I thought I could walk from there.

Receptionist: It is about fifteen minutes on foot. Check-in begins at three, so your timing should be suitable. If you arrive early, you can leave your luggage, but the room may still be being prepared.

Guest: I will need to leave quite early on the final morning. Is there a place to leave my bag after checking out?

Receptionist: Yes, we can store one bag until six in the evening on departure day. Please collect it before reception closes. We cannot keep luggage overnight after the booking ends.

Guest: Could I also use the common room to work?

Receptionist: You may, but other guests sometimes talk there. Your own room will be quieter. The common room closes at ten, and we ask everyone to keep noise low afterwards.

Guest: How should I reach the training centre? It is on Dock Road.

Receptionist: The number seven bus stops near us and runs to Dock Road. The walk takes about thirty minutes, but the bus is more convenient if you have materials to carry.

Guest: I will probably take the bus. What if the course dates change and I need to cancel?

Receptionist: The conditions depend on how much notice you give. Please read the written cancellation policy before paying. For this booking, contact us at least seven days before arrival to receive the deposit back under the standard terms.

Guest: I understand. Please send the confirmation, and I will check the dates and conditions.

Receptionist: I will do that now. It will show a quiet single room, four nights from the eighteenth of June, the room rate, deposit and the optional breakfast price.

Part 2 · A science-centre introduction

11. Centre opening time: ____. Write A TIME.
12. The ground-floor gallery concerns ____. Write ONE WORD.
13. The workshop room is at the ____ end of the ground-floor gallery. Write ONE WORD.
14. The first-floor gallery concerns ____. Write ONE WORD.
15. The café is on the ____ floor. Write ONE WORD.
16. Type of work causing the roof-terrace closure: ____. Write ONE WORD.
17. Number of live demonstrations today: ____. Write A NUMBER.
18. Hands-on workshop start: ____. Write A TIME.
19. Which activity needs a booking and extra material payment?
20. People separated from their group should go to the ____ point. Write ONE WORD.
Lời thoại Part 2 · chỉ mở khi chữa

Guide: Welcome to the Northbank Science Centre. Before you explore, I will explain the layout and today’s programme. We open at nine thirty and close at five. Last entry is at four, but arriving that late will leave limited time to see the displays. Please check the time of any activity you particularly want to attend.

Guide: You are now in the entrance hall on the ground floor. The ticket desk is on your left, and the information point is directly opposite the main doors. If you have booked online, show the confirmation at the ticket desk before entering the galleries. The information team can answer questions, but they do not sell or change tickets at that desk.

Guide: The ground-floor gallery focuses on movement. It includes demonstrations with wheels, simple machines and a track for small model vehicles. The workshop room is at the east end of this gallery. Only visitors booked into a workshop should enter while a session is taking place. The cloakroom is at the west end, beside the stairs.

Guide: On the first floor, you will find the light gallery. The main lift opens near its centre. Some areas are deliberately dark so that the displays can be seen clearly, and signs show an alternative route for visitors who prefer to avoid them. Ask a member of staff if you need help choosing a route. The café is on the second floor, next to the roof terrace. The terrace is closed today because maintenance work is taking place.

Guide: There are three live demonstrations today. The first begins at eleven in the ground-floor gallery. The second is at one thirty, and the final one at three. Each lasts about twenty minutes. They are included in the standard admission ticket and do not need a separate reservation. However, seating is limited, so arriving a little early is sensible.

Guide: The hands-on workshop is different. It starts at two and lasts forty-five minutes. Places must be booked at the ticket desk, and there is a small additional charge for the materials. The workshop is designed for adults and children aged ten or over. A younger child can visit the galleries with an adult but cannot join that particular workshop. Please check the description rather than assuming every activity suits every age.

Guide: You may take photographs for personal use in most gallery areas, but flash photography is not allowed. Some visiting displays have additional restrictions shown beside them. Food and open drinks should remain in the café or designated seating area. Closed water bottles may be carried through the building.

Guide: If you become separated from someone in your group, go to the information point in the entrance hall. Staff will follow the centre’s procedure to help. Do not ask strangers to search restricted areas. For other concerns, any member of staff wearing a blue badge can contact the duty manager.

Guide: At the end of your visit, a short feedback card is available near the exit. You can comment on a display, an activity or the clarity of our signs. Specific examples are particularly useful. Thank you for listening, and please begin at the movement gallery just beyond the ticket desk.

Part 3 · Comparing two information labels

21. The project focuses on finding ____ instructions. Write ONE WORD.
22. What differs between the two labels?
23. Actual number of volunteers: ____. Write A NUMBER.
24. Why vary the order of the labels?
25. Draft labels should be shown by ____. Write ONE WORD.
26. Participants will be identified by a ____. Write ONE WORD.
27. Test session day: ____. Write ONE WORD.
28. Results will be compared on ____. Write ONE WORD.
29. What wider claim is not justified?
30. How should future studies be described?
Lời thoại Part 3 · chỉ mở khi chữa

Tutor: Tell me about your label-design project. What exactly are you planning to compare?

Student A: We first wanted to compare every feature of food packaging, but that is too much. We have narrowed it to whether people can find the storage instructions quickly.

Student B: We are using fictional products, so the task will not ask anyone to make a real food-safety decision. We only want to compare how clearly information is displayed.

Tutor: Good. What will change between the two labels?

Student A: The first design puts the storage instruction in a long paragraph. The second puts it in a separate box with a heading. The wording will be the same.

Tutor: Keeping the wording the same will help you focus on layout. What information will you collect?

Student B: We will record whether the participant finds the instruction and how long it takes. Then we will ask which feature helped or confused them.

Tutor: Do not treat a small difference in time as proof by itself. The explanation may help you understand what happened. How many participants can you recruit?

Student A: We hoped for twenty, but only sixteen volunteers are available during our session.

Tutor: Sixteen is enough for this class exercise if you explain the limits. Make sure that the order of the labels is not always the same. Otherwise, people may be faster simply because they already know what they are looking for.

Student B: Then half can see the paragraph version first, and half can see the boxed version first.

Tutor: That is a sensible arrangement. Keep the instructions to participants consistent too.

Student A: I will prepare the labels. We plan to print them on Monday.

Tutor: Show me the draft on Friday before printing. We need to check that no other visual feature has changed accidentally.

Student B: I can prepare the record sheet and run the timer. Should we collect names?

Tutor: No. Use a participant number. You can record the results without names for this exercise. Explain the task and allow people to stop if they wish.

Student A: Our test session is on Wednesday, so we can compare the records on Thursday.

Tutor: Good. In the report, distinguish what the task measured from a wider claim about shopping behaviour. Finding a sentence on a printed label is not the same as making a purchase in a busy shop.

Student B: We will report the results for these labels and these volunteers. A later project could test different wording or a more realistic shopping situation.

Tutor: Exactly. Present those as possible next steps, not conclusions from the current trial.

Part 4 · A community choir trial

31. Programme duration: ____ weeks. Write A NUMBER.
32. Session day: ____. Write ONE WORD.
33. Session length: ____ minutes. Write A NUMBER.
34. Initial registrations: ____. Write A NUMBER.
35. There was no entry ____. Write ONE WORD.
36. Home support was a practice ____. Write ONE WORD.
37. Sessions normally ended at ____. Write A TIME.
38. Participants attending at least six meetings: ____. Write A NUMBER.
39. Which planned change is confirmed for the next course?
40. What distinction concludes the lecture?
Lời thoại Part 4 · chỉ mở khi chữa

Lecturer: This lecture describes a fictional project in which an adult learning centre introduced a short community choir programme. The organisers wanted to understand whether the timetable and teaching approach were workable for local adults. They were not conducting a medical study and did not claim that attendance produced a particular health outcome.

Lecturer: The programme lasted eight weeks. Sessions took place on Thursday evenings, beginning at seven and lasting ninety minutes. The centre accepted beginners and did not hold an audition. Forty people registered initially, but registration alone did not show how many would attend regularly. The organisers therefore recorded attendance at each session as well as collecting comments at the end.

Lecturer: In the first meeting, the leader explained the structure. Each session began with a gentle preparation activity, followed by work on short sections of a song and then practice combining those sections. The group did not attempt a large public performance during the trial. The final meeting was an informal sharing session for participants and invited friends, which kept the preparation demands manageable.

Lecturer: Feedback showed that clear repetition was useful to several beginners. They preferred hearing and trying a short phrase before adding the next one. Some participants asked for a recording to use at home. The centre provided a simple practice track, but made clear that independent listening did not replace attending the group, where people had to respond to one another.

Lecturer: The timetable created mixed responses. Many people found the seven-o’clock start convenient, but some who worked late missed the opening activities. Others relied on a bus service that became less frequent after nine. The session normally ended at eight thirty, leaving time for those journeys, but the organisers avoided allowing practice to run late without notice. A programme could be enjoyable and still be difficult to attend if transport was ignored.

Lecturer: By the end, twenty-eight participants had attended at least six of the eight meetings. The organisers reported that figure separately from the forty registrations. They did not describe all forty people as regular attendees. Reasons for absence varied and were not known in every case. The report therefore avoided assuming that everyone who missed sessions had disliked the activity.

Lecturer: For the next course, the centre planned to keep the ninety-minute length but improve the arrival information and offer the practice track earlier. It also intended to ask about transport before choosing dates. A longer course was considered, but no decision was made until the costs and demand could be reviewed. The small trial did not justify committing immediately to a permanent programme.

Lecturer: The main lesson concerns the difference between interest, attendance and a sustainable arrangement. Registration may show initial interest. Repeated attendance shows that at least some participants were able and willing to continue under the conditions offered. A sustainable programme also needs suitable space, a leader, clear communication and a realistic budget. Keeping these questions separate helps an organisation make a more careful next decision.

Lecturer: When reading a project report, ask which of these things was actually measured. A positive comment is useful, but it does not describe every participant. An attendance count is also useful, but it does not by itself explain motivation. Good planning draws on several kinds of information while being honest about what remains unknown.

Chưa kiểm tra phần này.

Reading · 60 phút, 40 câu

Bắt đầu đồng hồ khi đã sẵn sàng; 60 phút bao gồm đọc, trả lời và kiểm tra. Không dùng từ điển trong lượt làm độc lập. Mở đúng nhánh đã chọn.

Academic

A1 · A place in the ensemble
A Joining a music group can appear to require skills that people expect to learn only after joining one: keeping time with others, recovering from a mistake and following a shared plan. A fictional adult ensemble in Northbridge was created to explore this difficulty. Its organisers offered an eight-week project with no entrance audition. Some participants had played an instrument years earlier; others had never read music. The purpose was not to make their abilities identical by the final meeting. It was to find a way for people at different stages to contribute to the same piece while still having something worthwhile to learn. B The tutor began with a short piece arranged in three parts: a melody, a repeated rhythm and a series of held notes. These were not permanent labels for advanced, middle and weak players. Participants could change parts during the project, and the tutor explained the different demands of each. Holding a note at the right volume while listening for a change could require considerable attention. Several experienced players discovered that supporting a melody was less comfortable than playing it. By describing the function of each part, the tutor tried to prevent technical difficulty from becoming a simple ranking of people's value to the group. C Early rehearsals showed why individual preparation was necessary but insufficient. A learner might play a phrase correctly alone, then lose their place when several instruments entered. The tutor therefore moved between brief individual work and short shared passages. Instead of practising isolated exercises for most of the evening and assembling the piece at the end, the group returned repeatedly to a particular musical problem. When entries were uncertain, for example, everyone watched a visible hand movement that showed the shared pulse. They then practised entering after two silent beats. The exercise had an immediate purpose within the music, rather than being an unexplained requirement to complete first. D Listening became an explicit task. During one rehearsal, half the players performed while the others followed the score without making a sound. The listeners marked a star beside the point where the melody became difficult to hear. Their observations were compared before the roles were exchanged. This activity did not establish a single perfect balance for every room or instrument. It gave the group a reason to discuss how one part affected another. Some players who had concentrated on producing the correct notes began to notice the importance of leaving space. Others realised that playing softly could involve active control rather than a lack of confidence. E The project used small records of progress. At the end of each meeting, learners wrote one improvement and one next step on a card. A useful entry might describe recovering after a missed note, while a vague comment such as 'be better' offered little guidance. The tutor also made short recordings at the beginning and near the end of the project. Learners compared the later performance with the first recording, listening for their chosen focus. The recordings did not capture every aspect of learning, and a confident final performance could partly reflect familiarity with that particular piece. Nevertheless, they supplied evidence that memory alone might distort. F Attendance presented a practical challenge. Work schedules meant that some adults could not attend every rehearsal. The organisers provided an audio summary explaining the next meeting's starting point, together with marked copies of the music. They avoided sending a complete recording of every discussion, which would have created a large task for someone already short of time. A returning player was also paired briefly with another member before joining the full group. This support did not remove the need for practice. It reduced the amount of shared information that had to be discovered accidentally during the next rehearsal. G The final informal performance was optional, and people who chose not to perform could still take part in all the rehearsals. For the organisers, attendance at a concert was therefore only one possible sign of participation. They also reviewed the progress cards, the recordings and participants' descriptions of what they could now do. Positive comments did not demonstrate that the arrangement would suit every adult learner. The project was small, and no comparison group followed a different method. Its more modest contribution was a set of practical questions: can each person explain their musical role, hear the effect of another part and identify a next step that is both challenging and possible?
A2 · Writing beside an object
A A museum label occupies an unusual position. It must offer information, but it also competes with the object for a visitor's attention. This tension was central to a fictional redesign at Riverton Museum, whose collection included household objects, photographs and examples of local craft. Staff had noticed that some visitors moved past displays without stopping. That observation alone could not reveal whether the labels were difficult, whether the objects were familiar or whether people simply had limited time. Informal conversations added another clue: several visitors said that the existing labels named materials and dates but gave little sense of why an object might matter. B The first proposal was to make every label extremely short. A trial draft for a repaired wooden chair contained only its date, material and former owner. It was easy to scan, yet it removed the feature that made the chair interesting: different repairs suggested that it had been maintained by several users over a long period. Staff consequently distinguished brevity from selection. A useful label did not need to include everything known about an object, but it needed enough information to support a worthwhile observation. The team settled on a working limit of seventy-five words for the main label, with exceptions discussed rather than automatically rejected. C Information was then organised in layers. A short heading introduced a question or idea. The main text offered an explanation that could stand alone, and an optional panel supplied additional detail. Visitors were not expected to read every layer. A person with five minutes could still gain something from the heading and main text, while another could follow a longer account. Digital links offered further material, but the museum kept the essential explanation on the display. Translations of selected labels were available on printed sheets as well as online. The team did not assume that every visitor had a suitable phone, reliable connection or wish to use a screen. D Choosing what to say also involved deciding whose knowledge was represented. Museum records identified when some objects had entered the collection, while memories supplied by local residents described how similar objects had been used. These sources were valuable in different ways. A memory about a familiar design did not necessarily prove the history of the particular object on display. The revised labels therefore distinguished documented facts from interpretive suggestions and attributed recollections to their speakers. Where an object's purpose remained uncertain, the text explained what was known and used language such as 'may have been used for' when appropriate. Uncertainty became part of the account rather than an embarrassing gap to conceal. E The museum tried the revised labels for a month. Staff recorded stopping patterns and collected questions from visitors. However, other changes took place at the same time: a bench was moved, lighting was adjusted and one display was placed nearer the entrance. More stopping could not therefore be credited entirely to the new wording. Nor did a longer stop necessarily demonstrate deeper understanding; a visitor might be confused or waiting for someone else. The most useful comments identified a specific problem, such as a term that remained unclear or a statement that seemed inconsistent with the object. Those comments suggested a next revision without pretending to measure every visitor's learning. F A simple production routine helped the team maintain quality. Each draft was checked for factual accuracy before an editor considered its structure and vocabulary. Reading aloud exposed sentences that were difficult to follow even when all the individual words were familiar. The printed draft was then tested beside the object at the intended viewing height. Type that looked generous on a computer monitor could appear small in a case, particularly if the visitor could not approach closely. Staff also added a review date to the internal record so that a label would not be forgotten after installation. These checks required time, but they reduced the chance of polishing text that was inaccurate or physically difficult to read. G Riverton's exercise did not produce a universal formula for museum writing. A label for a simple object might need a different structure from one explaining a disputed history. The team's final guidance therefore began with purpose: what should a visitor be able to notice or understand after reading? Writers were asked to connect words to something visible, identify the source of important claims and provide a manageable route to further detail. New evidence could require a label to change, and disagreement could sometimes be explained rather than eliminated. The aim was not to make the object depend entirely on text, but to give visitors useful ways of looking more closely.
A3 · When sharing space changes work
A Shared workspaces are often described through their visible features: large tables, bookable rooms, informal seating and people from different occupations working nearby. Yet a room arrangement does not, by itself, explain how work will happen. The important question is how the space changes the effort needed to start, continue and coordinate particular tasks. A fictional workspace called Aster provides a useful illustration. Its thirty desks were used by people writing, designing, teaching online and managing small projects. The managers wanted flexibility, but they gradually discovered that the same arrangement could support one activity while making another unnecessarily complicated. B Flexibility had costs that were easy to overlook. A member arriving for a short visit sometimes spent the first part of it finding a suitable desk, adjusting equipment and checking whether a nearby conversation would continue. A desk that appeared available could be temporarily reserved by someone in a meeting. The managers introduced a simple booking display and an availability signal that members could use to show whether a brief interruption was welcome. These devices did not make coordination disappear. They made some of its rules visible. Evaluating the workspace therefore required attention to time spent organising work, not just time spent sitting at a desk. C Unplanned contact was nevertheless valuable in some situations. A designer describing a confusing set of instructions received an unexpected suggestion from a language tutor at the next table. Neither had scheduled a meeting, and the conversation helped the designer reconsider the problem. It would be a mistake, however, to infer that more conversation must always produce better work. The same tutor later needed an uninterrupted period to prepare a lesson. An encounter can be useful because of its timing, relevance and the freedom to continue or end it. Providing opportunities for contact is different from making every activity continually open to interruption. D The managers responded by offering several kinds of working place rather than asking every member to move constantly. Some people could reserve a modest home base for tasks requiring equipment or predictable conditions. Other desks remained available for shorter visits. Shared tables were positioned where conversation was expected, while a quieter area supported extended individual work. This arrangement involved negotiation because desirable space was limited. It also challenged the assumption that changing seats automatically mixes professional networks. Members could repeatedly choose to sit near familiar people even when no seats were assigned. Meaningful contact sometimes needed an invitation or a shared activity, rather than another rearrangement of furniture. E Occupancy figures initially seemed to offer a straightforward way to judge the design. An average of eighteen occupied desks out of thirty suggested substantial spare capacity. The average concealed timing, however. On Tuesday afternoons, nearly every desk was used, and the quiet area was particularly popular. At other times, several desks stood empty while a small number of members used a meeting room intensively. Counting only occupied desks would have missed that work. An empty seat could also provide temporary flexibility for a member whose visit could not be scheduled precisely. None of this meant unused space had no cost. It meant that the cost needed to be considered alongside the function of the capacity being kept available. F Aster tested its revised arrangement for six weeks. Members completed short interruption logs during selected periods, noting both unwelcome breaks and useful exchanges. The managers also recorded requests for quiet places and problems with reservations. They compared these records with information collected before the change, but recognised important limits. Several members faced different project deadlines during the trial, so their need for uninterrupted work had changed independently of the room layout. People who stopped attending were also difficult to reach, and their views might differ from those who remained. The evidence helped identify specific problems, but it could not establish a single measure of success for every member or prove that the layout alone caused an improvement. G The lesson from this imaginary example is not that shared space requires either complete freedom or a rigid allocation of seats. A more useful starting point is the relationship between an activity and the conditions it needs. Some tasks benefit from easy conversation; others need stability, privacy or uninterrupted time. These needs can change within the same person's day. Managers should therefore ask what kinds of work are being supported, what coordination is required and whose experience is missing from the available feedback. A successful arrangement makes those questions easier to answer and provides ways to adjust. Its value cannot be read directly from a photograph of a lively room or a single average of occupied desks.

Phiếu trả lời · 40 câu

Làm độc lập trước khi kiểm tra. Tuân thủ giới hạn từ và yêu cầu chọn đáp án của từng câu. Kết quả là số câu đúng; bài này chưa được chuẩn hóa để quy đổi band.

Câu hỏi bài đọc A1

1. Choose ONE answer. What was the main purpose of the Northbridge project?
2. Choose ONE answer. Why did the tutor explain the function of each musical part?
3. Choose ONE answer. What was the benefit of returning to short shared passages?
4. Choose ONE answer. What did the listening activity help some players understand?
5. TRUE / FALSE / NOT GIVEN: All participants practised for the same number of hours at home.
6. TRUE / FALSE / NOT GIVEN: Passing an audition was a condition of joining the project.
7. TRUE / FALSE / NOT GIVEN: Some experienced players found supporting the melody less comfortable than playing it.
8. TRUE / FALSE / NOT GIVEN: Most participants joined another music group within six months of the project.
9. Complete with NO MORE THAN TWO WORDS from the passage: A visible ______ helped players follow the shared pulse.
10. Complete with ONE WORD from the passage: Listeners put a ______ where the melody became difficult to hear.
11. Complete with NO MORE THAN TWO WORDS from the passage: On their cards, learners recorded one improvement and one ______.
12. Complete with NO MORE THAN TWO WORDS from the passage: Learners compared their later performance with the ______.
13. Complete with NO MORE THAN TWO WORDS from the passage: People who missed a rehearsal received an ______ about the next meeting’s starting point.

Câu hỏi bài đọc A2

14. Which paragraph contains a warning that making a label shorter can remove its most useful information? Select A–G.
15. Which paragraph explains why an observed change cannot be attributed only to new wording? Select A–G.
16. Which paragraph distinguishes records about a displayed object from memories about similar objects? Select A–G.
17. Which paragraph says that later evidence may require an explanation to be revised? Select A–G.
18. Which paragraph describes providing essential content without requiring a digital device? Select A–G.
19. TRUE / FALSE / NOT GIVEN: Some visitors felt the original labels gave little explanation of an object’s significance.
20. TRUE / FALSE / NOT GIVEN: The layered design required visitors to read every section in order to gain anything useful.
21. TRUE / FALSE / NOT GIVEN: Visitors under thirty preferred the digital translations to the printed sheets.
22. TRUE / FALSE / NOT GIVEN: The new labels made a distinction between established information and suggested interpretations.
23. Complete the production notes with NO MORE THAN TWO WORDS from paragraph F: Before editing structure and vocabulary, check the draft for ______.
24. Complete with NO MORE THAN TWO WORDS from paragraph F: ______ helped reveal sentences that were hard to follow.
25. Complete with NO MORE THAN TWO WORDS from paragraph F: Test a printed version at the intended ______.
26. Complete with NO MORE THAN TWO WORDS from paragraph F: Put a ______ in the internal record to prevent a label from being forgotten.

Câu hỏi bài đọc A3

27. Choose the best heading for paragraph B.
28. Choose the best heading for paragraph C.
29. Choose the best heading for paragraph D.
30. Choose the best heading for paragraph E.
31. Choose the best heading for paragraph F.
32. Is this statement consistent with the writer’s view? Choose YES / NO / NOT GIVEN: An empty desk always indicates that resources are being wasted.
33. Is this statement consistent with the writer’s view? Choose YES / NO / NOT GIVEN: Unplanned interactions can be useful under suitable conditions.
34. Is this statement consistent with the writer’s view? Choose YES / NO / NOT GIVEN: Small companies benefit more from shared workspaces than large organisations do.
35. Is this statement consistent with the writer’s view? Choose YES / NO / NOT GIVEN: Requiring members to change seats guarantees contact with unfamiliar professional groups.
36. Complete with NO MORE THAN TWO WORDS from the passage: An ______ allowed members to show whether a short interruption was welcome.
37. Complete with NO MORE THAN TWO WORDS from the passage: Some members could reserve a ______ for tasks requiring predictable conditions.
38. Complete with NO MORE THAN TWO WORDS from the passage: Nearly every desk was occupied on ______.
39. Complete with NO MORE THAN TWO WORDS from the passage: During the trial, members used ______ to record useful exchanges as well as unwanted breaks.
40. Complete with NO MORE THAN TWO WORDS from the passage: Different ______ affected members’ needs independently of the new layout.

Chưa kiểm tra phần này.

Writing · 60 phút, hai bài

Task 1: khoảng 20 phút, ít nhất 150 từ. Task 2: khoảng 40 phút, ít nhất 250 từ. Tự viết trước khi mở mẫu. Task 2 có trọng số gấp đôi Task 1 trong IELTS; trang này không tự chấm band.

Academic

Task 1

Viết và sửa

Academic Task 1: The diagram shows how a book is requested, borrowed and returned at a fictional library. Summarise the process, selecting the main stages and relevant branches. Viết ít nhất 150 từ; khoảng 20 phút.

Quy trình mượn và trả sách

Requesting, borrowing and returning a library book A reader searches the catalogue and submits a request. Staff check availability. If the book is unavailable, the reader joins a waiting list until it becomes available. Both routes lead to preparing the book and sending a notification. The reader presents a membership card and collects the book for 21 days. Staff check and record the returned book, then put it on the shelf or prepare it for the next waiting reader. Search catalogue Submit online request Staff check: book available? Yes No Waiting list Wait until available Staff prepare book Send ready notification Present membership card Collect book Loan period: 21 days Return book Staff check and record return Prepare for next use Shelf or next waiting reader
BướcHành độngĐiều kiện/đi tiếp
1Reader searches catalogueSubmit online request
2Staff check availabilityAvailable→prepare; unavailable→waiting list
3Book becomes readySend notification
4Reader presents membership cardCollect book
5Loan period21 days
6Return and staff checkRecord return
7Prepare for reuseShelf or next waiting reader
Quy trình tự biên soạn; các nhánh và 21 ngày là dữ kiện của đề.
  1. Đọc đề và lập ý trước khi viết.
  2. Viết độc lập trong thời gian yêu cầu; chưa mở mẫu.
  3. Đối chiếu yêu cầu, bố cục, từ và câu; giữ bản đầu rồi viết lại phần cần sửa.
Xem mẫu tham khảo sau khi tự làm
The diagram illustrates the process of requesting, borrowing and returning a book at a fictional library. Overall, the process begins with a catalogue search and ends with a returned book being checked and prepared for another reader. Availability determines whether the request can proceed immediately or must first enter a waiting list. First, a reader searches the catalogue and submits an online request. Staff then check whether the book is available. If it is already on loan, the request is placed on a waiting list until the item becomes available. Otherwise, staff prepare the book for collection. In both cases, the reader receives a notification when it is ready. The reader next visits the library and presents a membership card to collect the book. The loan period is twenty-one days. After the book is returned, staff check its condition and record the return. Finally, the item is either put back on the shelf or prepared for the next person on the waiting list, allowing the cycle to continue.
  • Overview nêu điểm đầu/cuối và nhánh phụ thuộc available.
  • Thân bài đi đúng trình tự, không bỏ waiting list và notification.
  • Dùng hiện tại đơn/bị động phù hợp quy trình.
  • Không thêm phí, phạt hay bước không có trong sơ đồ.

Tự kiểm

  • Đủ ý và đúng mục đích đề.
  • Bố cục giúp người đọc theo dõi.
  • Từ dùng phù hợp, dữ kiện khớp hình/tình huống.
  • Đã sửa lỗi ngữ pháp, chính tả và dấu câu làm đổi nghĩa.

Task 2

Viết và sửa

Writing Task 2: Some people think employers should provide staff training during working hours, while others believe employees should develop their skills in their own time. Discuss both views and give your own opinion. Viết ít nhất 250 từ; khoảng 40 phút.

  1. Đọc đề và lập ý trước khi viết.
  2. Viết độc lập trong thời gian yêu cầu; chưa mở mẫu.
  3. Đối chiếu yêu cầu, bố cục, từ và câu; giữ bản đầu rồi viết lại phần cần sửa.
Xem mẫu tham khảo sau khi tự làm
Employees often need to learn new skills as their work changes. Some people argue that employers should provide training during the working day, while others believe that staff should study in their own time. I think training required for a person’s current duties should usually be supported within working hours, although personal development may involve a shared commitment. There are strong reasons for employers to provide time for necessary training. If a company introduces a new system, employees need to understand it to perform their jobs accurately. Expecting everyone to learn after work may disadvantage people with family responsibilities or other commitments. Training during work also allows staff to ask questions and practise with the equipment they actually use. For example, a team learning a new booking system could work through realistic situations together before using it with customers. However, employees also benefit from taking responsibility for their wider development. A person who wants to change careers or study an unrelated subject cannot expect the current employer to fund every activity or release unlimited working time. Independent study can help people explore interests and prepare for future opportunities. Employers still need to maintain services, so the timing and relevance of a request should be discussed rather than assumed. In my view, the main distinction is between essential training for present duties and broader personal goals. Employers should normally make practical arrangements for the first category. For development that benefits both sides, a mixture of paid training time and personal study may be reasonable. Clear expectations agreed in advance would help avoid unfair demands and allow both the organisation and the employee to plan effectively.
  • Hai phía được giải thích riêng, có ví dụ công việc cụ thể.
  • Lập trường phân biệt essential current duties và broader personal goals, nhất quán từ đầu cuối.
  • Không đưa quy định pháp luật hoặc tỷ lệ nghiên cứu bịa.
  • Ví dụ booking system minh họa lợi ích luyện trên tình huống thật.

Tự kiểm

  • Đủ ý và đúng mục đích đề.
  • Bố cục giúp người đọc theo dõi.
  • Từ dùng phù hợp, dữ kiện khớp hình/tình huống.
  • Đã sửa lỗi ngữ pháp, chính tả và dấu câu làm đổi nghĩa.

Speaking · Ba phần, khoảng 11–14 phút

Nhờ một người đọc câu hỏi, hoặc tự nhìn từng câu rồi trả lời thành lời. Trang không thu giọng nói hoặc chấm điểm phát âm. Có thể dùng ứng dụng ghi âm riêng để tự nghe lại; không cần đăng thông tin cá nhân.

Part 1 · 4–5 phút

  1. How do you usually spend a free weekend?
  2. Do you enjoy visiting new places? Why?
  3. What do you usually buy at local shops?
  4. Do you prefer planning activities or deciding at the last moment?
  5. Is there a useful object you use every day?
  6. Has the way you spend your weekends changed in recent years?
  7. Do you usually visit new places alone or with someone else?
  8. What do you like about shopping near your home?
  9. What do you do if your plans change unexpectedly?
  10. What do you like about the object you use most often?
Mẫu tham khảo Part 1

I usually keep part of the weekend free for family and practical tasks. If the weather is good, I like going for a walk and trying a café I have not visited before. I prefer a simple plan with some flexibility rather than filling every hour.

I use a small notebook every day to keep track of tasks. A phone can do the same thing, but writing a short list helps me decide what matters first. I usually review the list at the end of the day.

Part 2 · chuẩn bị 1 phút, nói 1–2 phút

Describe something useful that you borrowed. Say what it was, who you borrowed it from, why you needed it, and explain what you learned from the experience.
  1. Would you borrow the same item again?
  2. Is it important to return borrowed things on time?
Mẫu tham khảo Part 2
Something useful I borrowed was a small camera from a friend. I needed it for a weekend trip because I wanted to practise taking photographs more carefully than I usually do with my phone. My friend showed me the main controls and asked me to keep the camera in its case when I was not using it. Before the trip, I practised at home so that I would not spend the whole weekend trying to understand the settings. At first, some pictures were too dark, but I gradually learned to notice where the light was coming from. I also discovered that carrying a camera made me slow down and look more closely at familiar places. I returned it on the agreed day and told my friend which parts I had found useful. The experience helped me decide what features mattered before buying anything. It also reminded me that borrowing involves responsibility: I needed to understand the item, protect it and communicate clearly about its return.

Part 3 · 4–5 phút

  1. Why do people sometimes borrow things instead of buying them?
  2. What makes a shared service reliable?
  3. How can communities encourage people to share useful resources?
  4. Are there situations where owning an item is more practical?
  5. What disagreements can arise when people share resources, and how could they be resolved?
  6. How might digital booking systems help or hinder a community sharing service?
Mẫu tham khảo Part 3

Borrowing can make sense when an item is expensive and needed only occasionally. It also lets someone try a tool or device before deciding whether to buy one. However, availability and responsibility matter. A borrower needs to know when the item can be collected, how it should be used and when it must be returned.

A shared service needs accurate information and clear arrangements. If an item is listed as available but cannot actually be borrowed, users lose confidence. Maintenance, fair reservations and useful explanations are therefore important. The service should also state its limits instead of promising that every request can be met.

Ownership may be more practical when an item is used frequently or must always be available at short notice. For example, someone using a tool every day may find repeated borrowing inconvenient. The decision depends on cost, storage, maintenance and how often the person needs the item.

Phản hồi theo tiêu chí

  • Câu trả lời trực tiếp, ý có trình tự và ví dụ hỗ trợ; tránh lặp cùng một lý do.
  • Từ phù hợp ngữ cảnh; diễn đạt lại khi thiếu từ.
  • Câu đơn/phức đúng nghĩa và có kiểm soát.
  • Người nghe hiểu được âm, từ nhấn và nhóm ý; không yêu cầu giả giọng bản ngữ.
  • Mẫu và bảng kiểm không tạo band chính thức; cần phản hồi chuyên môn trên bài thực tế. Mẫu trả lời chỉ minh họa cách phát triển ý. Người hỏi điều chỉnh số câu và câu hỏi tiếp theo trong khung thời gian; không buộc mọi câu trả lời dài như mẫu hoặc phải nói hết tất cả câu.

Chữa bài và kế hoạch tiếp theo

  1. Ghi số câu đúng riêng Listening và Reading. Với mỗi câu sai, trích một câu hoặc từ làm bằng chứng; xác định sai vì chưa hiểu, nghe nhầm, chính tả, giới hạn từ hay hết thời gian.
  2. Chọn ba lỗi lặp lại. Quay về tuần kỹ năng tương ứng, làm một nhiệm vụ khác trước khi kiểm tra lại.
  3. Đưa bài Writing và bản nói thực tế cho giáo viên/người đủ năng lực. Yêu cầu nhận xét cụ thể theo bốn tiêu chí, dẫn ví dụ cần sửa và một việc cần tập tiếp.
  4. Sau khi sửa, viết/nói lại ở đề khác. Không học thuộc bài mẫu để dự đoán band; đối chiếu thêm đề mẫu chính thức trên IELTS.org.
Về tuần 62 để ghi nhận và học tiếp
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Gia Sư SV · Tiếng Anh từ căn bản đến IELTS 5.0 · Phiên bản 1.0 · 14/11/2026

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